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Jauchzet Gott! Delicacy of expression

The Guardian, George Hall

(...) Mields light and even soprano proved nicely scaled to the piece's vocal demands; her delicacy of expression never tipping over into emotional wallowing. She sensitively supported by the period-instrument players, especially in the complex oboe obbligato vividly undertaken bij Antoine Torunczyk. (...)

Finally, Mields turned to the secular wedding cantata BWV 202, Weichet nur, betrübte Schatten, in whose bouncy bucolic dance rhythms Torunczyk once again radiated a benign charm. By this point, the German soprano has assumed responsibility for three-quarters of the programme in a remarkable feat of concentration and consistency.